![]() ![]() The option to use 10 scales, including one defined by the user."Split" and "Multi" added to Voice modes.USB connector for MIDI over USB operation.Vocoder increased to 16 bands, but still supports the 4 note polyphony.The waveshaper also includes a third oscillator (Sub oscillator.) The microKORG XL also includes a waveshaper (uncommon in most synthesizers) which will morph the current waveform into an approximation of the waveform desired, resulting in a harsh sound. The XL weighs only 2kg, and while it does come with an external power supply unit, it can also be powered by just six AA batteries. The included "OSC MOD WAVEFORM" and "OSC2 SYNC" controllers are reminiscent of the Poly-Mod feature in the Sequential Circuits Prophet-5. Korg clearly aimed to make one of the smallest self-contained synthesizers possible when they released the microKORG XL and they definitely succeeded in this regard. The XL also features several included PCM Waveforms, including Piano, Brass Ensemble, 9 Electric Piano and Clavinet, 7 organ sounds (one of which emulates the Korg M1 Organ), a full String Orchestra, 2 variable formant waves and more than 32 digitally generated waveforms (SYNWAVE 6 is a ramp wave/inverted sawtooth.) The XL adds two additional Waveform Modulation types: Phase Modulation and Unison (in which 5 stacked oscillators within 1 oscillator can be detuned and phased to achieve a richer sound.) The Unison Simulator is similar to the Supersaw waveform on the Roland JP-8000. Notably, the microKORG XL features 17 different KAOSS derived effects, including phaser, flange, decimation, vibrato, tremolo and retrigger. New features specific to the microKORG XL: The microKORG XL groups its 128 factory preset sound patches into 8 groups: The XL features a brand-new LCD display, and two Program Select knobs for easier access. ![]() If they could get some better US import support to drive prices down I think this thing would fly off shelves under $400.The direct successor to the microKORG, the microKORG XL, utilises MMT Analog modelling, and is based on Korg's own R3. Note: FI is still being developed, it should continue to get better and better. I wish we could have more control over the curves of the envelope and envelope follower.Ĭhunk Systems Octavius: Yes, but more as a Fuzz-Filter-Envelope Follower with presets Besides delay based FX, my only other criticism is envelope control. I would dig some sexier reverb, chorus and delay effects and the ability to use them and eq at the same time, but the effects on this thing are just a small bonus. This may not be a big deal to many but to me it means I can be myself around the bass neck with out piercing eardrums with nasty high pitched glitches. Best of all, when it glitches on mutes and ghost notes it sound appropriate and musical. The Future Impact is the most versatile and best at pitch tracking off all I have tried. I only use the pitch tracking VCO on glitching out drums lately (see the end of the video on my sig). The OS can get some nice acidic to Tron bass tones. I love it for it's amazing filter and envelop and fuzz (it contains my favorite envelope follower). The Octavius Squeezer is my fav pedal but not so much for pitch tracking Bass. The Microsynth is basic, I had it twice and got bored twice. Study despite its small size, the Korg MicroKorg XL offers digital synthesis in an affordable package. The MicroKorg XL also offers an input for a microphone to control the vocoder as well as various on-board effects. ![]() The Super Synth sounds great but tracking leave a bit to desire for my playing style. The Korg MicroKorg XL imporves upon the MicroKorg, featuring an amber display panel as well as 128 patch memory. I have tried the MB Super Synth, the Octavius Squeezer, EHX MicroSynth and the Future Impact. ![]()
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